Who is this Anita Gates you speak of?

A.G.’s journalistic triumphs over 25 years at The New York Times include drinking with Bea Arthur (at a Trump hotel), Wendy Wasserstein (at an Italian restaurant) and Peter O’Toole (in his trailer on a mini-series set near Dublin). It is sheer coincidence that these people are now dead.

At The New York Times, she has been Arts & Leisure television editor and co-film editor, a theater reviewer on WQXR Radio, a film columnist for the Times TV Book and an editor in the Culture, Book Review, Travel, National, Foreign and Metro sections. Her first theater review for The Times appeared in 1997, assessing “Mrs. Cage,” a one-act about a housewife suspected of shooting her favorite supermarket box boy. The review was mixed.

Outside The Times, A.G. has been the author of four nonfiction books; a longtime writer for travel magazines, women's magazines and travel guidebooks; a lecturer at universities and for women’s groups; and a moderator for theater, book, film and television panels at the 92nd Street Y and the Paley Center for Media.

If she were a character on “Mad Men,” she’d be Peggy.

'Blues for an Alabama Sky' -- High Hopes, Hard Times and Heavy Drinking in Old Harlem

BLUES+whole+cast+seated.jpg

RENAISSANCE MEN (AND WOMEN) The cast of “Blues for an Alabama Sky,” playing at Theater Five at Theater Row. The play, by Pearl Cleage, takes place in two almost-adjoining Harlem apartments in 1930 or.

IT’S A GOOD TIME to be black in Harlem, When you go to church on Sunday, the minister is Adam Clayton Powell Jr. Everybody’s favorite bon vivant neighbor is the poet and dramatist Langston Hughes. The nice lady who’s helping set up a women’s health clinic nearby is Margaret Sanger. And one character is always getting letters from the performer Josephine Baker, who’s far away, reigning as the toast of Paris.

BLUES angel and delia.jpg

GAL PALS Angel, a sexy club singer (Alfie Fuller, left) and Delia, a virginal social worker (Jasminn Johnson), may seem like unlikely friends, but living across the hall from each other brings them together. Delia thinks Angel should learn to type.

But the Depression has begun, and joblessness is taking its toll on this vibrant arts community, just as it is on the rest of the country. One character has every intention of getting away.

BLuES guy and delia.jpg

HE IS WHAT HE IS Guy (John-Andrew Morrison) — with his next-door neighbor, Delia — is a talented costume designer and a gay man who is as out as any black American man could be in 1930. He loves clothes (costume design is by Asa Benally). And he has dreams of making a new life in Paris.

Ms. Cleage has written an old-fashioned play, in the best sense of the word. We get to know each of the five characters, and then things happen to them.

As Act I begins, Angel (Alfie Fuller), a jazz singer who enjoys a drink or two or 10, is having an exceedingly bad night. Her gangster boyfriend has dumped her, thrown her out of their place and fired her from the club. Her friend Guy (John-Andrew Morrison), a proud gay man and costume designer, takes her in (“You’re over here half the time anyway. What’s the big deal?”). But he has a lot on his mind, corresponding with and sending costume samples to Josephine Baker — and convinced that she’ll soon send for him. And if he goes to Paris, he’ll take Angel along.

BLUES guy angel dr. drinking.jpg

I’LL DRINK TO THAT Guy, Angel and their good buddy Sam (Sheldon Woodley), a neighborhood physician, throw back a few whenever they can. Prohibition be damned!

One of their best pals is Sam (Sheldon Woodley), a bachelor doctor who seems to spend a lot of time delivering babies and then goes to his friends’ apartment to drink and carouse. The group’s good girl is Delia (Jasminn Johnson), the social worker next door, determined to liberate black women by bringing reliable birth control to Harlem. Delia knows a lot about sexual intercourse —its mechanics and its dangers, anyway — for someone who’s never had it. She’s 25, which was old- maid territory back then.

BLUES leland and angel seated.jpg

TUSKEGEE AIRHEAD Khiry Walker as Leland, a grieving Alabamian visiting Harlem, with Angel, who has been unlucky in love. Leland bought that dress for her, by the way, and she did with it what she could.

Into this group comes Leland Cunningham (Khiry Walker), a tall, lean, handsome, effortlessly charming drink of water from Alabama. He’s in New York for a while, trying to heal from a tragedy back home: the loss of his wife (in childbirth) and their infant son. Angel looks like Leland’s dead wife, and that’s enough for him to rush headlong into love and commitment.

Turns out that Leland, who is from Tuskegee (home of the famous, historically black institute and future home of the revered World War II Army pilots program), isn’t quite as much a free spirit as the rest of them. (Even Delia, when she gets going.)

BLUES playbill.jpg

At first, “Blues for an Alabama Sky”  seems to be mostly about hope, determination, frustration and the possibility or impossibility of real change. Will Paris be just a pipe dream for Guy? But it quickly turns sociopolitical Will Angel and Leland find lifelong love? Or will differences in religious beliefs — which encompass some strong convictions about women’s reproductive freedom — get in the way?

Just one question, Keen Company: Is “fight and intimacy” a new job description, a co-specialty like ob-gyn or eye-ear-nose-and-throat? I know fight directors choreograph scenes of physical attacks and violence. I know intimacy directors advise on sex scenes. It kind of worries me that the same person (in this case, two of them: Kelsey Rainwater and Michael Rossmy) would do both jobs. But there’s a sort of romantic poetry in the idea.

“Blues for an Alabama Sky,” by Pearl Cleage, directed by LA Williams, Theater Five, Theater Row, 410 West 42nd Street. keencompany.org. 2 hours 30 minutes. Limited run. Closes on March 14, 2020.

The Night the Lights Went Out on Broadway

If Esalen Had a Band: ‘Bob & Carol & Ted & Alice’ Turns Into a Musical