Who is this Anita Gates you speak of?

A.G.’s journalistic triumphs over 25 years at The New York Times include drinking with Bea Arthur (at a Trump hotel), Wendy Wasserstein (at an Italian restaurant) and Peter O’Toole (in his trailer on a mini-series set near Dublin). It is sheer coincidence that these people are now dead.

At The New York Times, she has been Arts & Leisure television editor and co-film editor, a theater reviewer on WQXR Radio, a film columnist for the Times TV Book and an editor in the Culture, Book Review, Travel, National, Foreign and Metro sections. Her first theater review for The Times appeared in 1997, assessing “Mrs. Cage,” a one-act about a housewife suspected of shooting her favorite supermarket box boy. The review was mixed.

Outside The Times, A.G. has been the author of four nonfiction books; a longtime writer for travel magazines, women's magazines and travel guidebooks; a lecturer at universities and for women’s groups; and a moderator for theater, book, film and television panels at the 92nd Street Y and the Paley Center for Media.

If she were a character on “Mad Men,” she’d be Peggy.

Review -- ‘This is Broadway’

NOT AS FUNNY AS the “Saturday Night Live” tribute to New York City and Broadway. (“My first apartment was a drawer,” Maya Rudolph, dressed as the Statue of Liberty, sang.) Not as goofily self-aware as the number that Lin-Manuel Miranda and Jimmy Fallon did on “The Tonight Show.”

But “This Is Broadway,” the newest entry in the come-back-to-Broadway series of promotional videos, has its own magic. First of all, it has star power. That’s Oprah Winfrey narrating. It has numbers — well, in two ways. Glimpses of almost a hundred shows are seen in the two minutes and 35 seconds or so. (And most of the shows have musical numbers of their own.)

Music from “The Lion King” starts us off, followed by a deluge of song and dance — Bebe Neuwirth in “Chicago,” Alan Cumming in “Cabaret,” little Sarah Jessica Parker in “Annie,” and Angela Lansbury insisting that everything’s coming up roses in “Gypsy.”

Best effect: The would-be baseball hero Troy Maxson starts out as James Earl Jones and turns into Denzel Washington, reflecting two award-winning productions of August Wilson’s “Fences.” Second best: Jerry Orbach in “42nd Street.” ordering a nervous near-star, “Think of Broadway!”

We are. We are. O.K., Mary Martin (who appears in the video) is dead. So is Elaine Stritch, who sings “The Ladies Who Lunch” from “Company.” But Patti LuPone, who is also in the video (as Evita), will be singing it in the new revival of “Company.”

As Winfrey intones, this is “where time stops every time a show starts.” If you’re reading this, you probably don’t need any reminders. But you probably could use a boost.

https://www.today.com/popculture/oprah-winfrey-narrates-video-ahead-return-broadway-shows-t229350?icid=canonical_related

BEANIE FELDSTEIN, BEANIE FELDSTEIN, BEANIE FELDSTEIN

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